Sunday, June 7, 2015
Order of objects IN your refrigerator
This is my breakfast time and the blog came into my mind. You don't recognize that this is the order of rainbow. I tried a lot to find blue, navy, purple colors but i couldn't find those color objects. Anyway, first apple shows dark red because sunlight doesn't come to it so much. Orange shows very light orange color. Then we can see both banana and sesame leaves show their ordinary colors because sunlight comes right amount to them.
Slauson Middle School
This is a picture of my old middle school while the sun is setting. This is an image I've seen most of my life. This image causes me to think analytically about my life and how much progress I have made since I have left the school. It is a reminder of where I am currently at in life. The sun is like an amber back light while I see just the outline of the school. There is a mixture of isolation and revelation within this photo. That's what gives me the idea of self-reflection, I am separated but the light causes me to renew and collect myself.
Memorial Park Sign
I took a picture of the sign of the park that I have been going to since my child hood. This is the first time in my life I noticed two sources of lights illuminating the sign at night. I'm not quite sure what the two brushstrokes are, but I could see two LEKO's creating the same illumination. The intensity is very low creating a subtle atmosphere, which is how a park should be represented. I like how the lights mix in with the sunset in the background. If I were to put this sign within a production I would use an up light on the sign while having light amber and blue lights surround it.
Saturday, June 6, 2015
Dance Light Blog Post
I observed the Spring Dance Show tech last Sunday, and the lighting for the show was great. The colors blended perfectly with one another. I liked all of the unique colors used, the blues and purples complemented each other well. The amber color given off in this image works well with this piece in the show.
This week I chose an image that displayed a dark feel, and wanted to use a lot of shadowing in an image. The picture shown here is of a light post in front of my house. Since it was a gloomy afternoon, there wasn't much light to play with; however, the light that is given off gives the image a tinted feel, and the some of the colors in the photo are more vibrant than others. This image almost has an ombré effect, going from the light grey down to the darkness of the trees and the light post. I am fascinated with this image for the simple fact that, even though our source of light is coming from the sun, and it seems to be covered with the clouds, it came out simply breath taking.
Thursday, June 4, 2015
Backlight week 8
I chose this picture because I thought it was an interesting use of backlight. The way the stickers on the sign are barely visible is interesting to me. I think the use of the parcan on low intensity would help me get this desired look. It would also be interesting to play with an opposite leko with a hobo in it to play with the sticker effect. I like how the backlight is giving off a foreboding look it makes the stickers though dimly lit seem more important than they are. The par can is great fo foreshadowing and other worldy beings basically placing a significant importance on little things.
Monday, June 1, 2015
The depth of shiny light
This is one Mexican food truck. I don't usually stop walking on street and eat food in front of food truck but this day the shiny light which made the pictures of food menu made me stop. As you can see, only food menus are very bright then any other spots in this picture. That is the reason how colors of combo foods look more fresh.
Monday, May 25, 2015
Week 8: Threepenny Opera @ A Noise Within
This past weekend, I hit up A Noise Within to see The Threepenny Opera. A friend of mine is currently interning there and he let me know about a "pay what you can" night they had going on. Being broke as a joke, I promptly dropped all my other plans and got over there at 2PM to snag a ticket. Anyway, this was my first time at ANW and wow, I could really tell why tickets are so expensive! I was blown away! The first thing I noticed was the presence of hazers (posted on a sign up front), which really made every beam of light look cool. I particularly liked how the beams split apart when they passed through gobos. Also, being a Brechtian piece, one of the pipes was constantly out and visible to the audience. There was a good variety of different fixtures in use, most noticeably a series of par-cans on the aforementioned pipe, as well as some lekos stage right and left, a couple of moving lights, and some LED strip lights on the thrust. These had what I can only describe as miniature par-cans on top of them, visible in this picture. For obvious reasons, I couldn't take a picture during the play itself, but the use of color during it was very effective.
Week 8
This photo is of my front door... It's made from a frosty glass that only creates shillouettes and shadows. It often time distorts objects like tree branches and people to look way more creepy than they are. In addition to this frosty glass effect you can see the blueish light it is creating. The color of the glass in combination with the lighting conditions outside works sort of like a natural gel, to manipulate the light.
I can imagine some material similar to this being used in theatre to create some intresting shadow work, or just being used in windows on a set.
-Kirbie
Spring Dance Concert Tech
Hello Everyone,
This weekend, I attended the tech process of the Spring Dance Concert. I was their on Saturday, and witnessed the teching of Rosanna Tavarez's piece. Fist off, the piece was wonderful. The movement was interesting and clean. With that, the technology was doing the piece a great justice. The song choice was appropriate, and the lighting that was chosen helped paint the picture of the story on stage. As far as the work process that I witnessed. It was a cool relaxed atmosphere that seemed to be flowing wonderfully. The Choreographer, Lighting designer, Stage Manager, and Programmer all seemed to be in sync with one another. I feel it appropriate to mention the fact that the shows director, Hae Kung Lee, was not present at the time of my attendance. To be clear, I am not saying that this fact has any correlation to the relaxed, free flowing atmosphere. One thing that I noticed while our CSULA General Production Manager/House Manager was on deck. is that as a lighting designer coming into a space that is not your own, you may at times receive direction from people outside of the director who has hired you. With that said, this is education theatre, and is structured differently than commercial, and non-profit theatre organizations. One could say that the process is a bit looser. All things considered, I found my time spent in this tech rehearsal to be rewarding.
Week #8
Hello Everyone,
This weekend, I was playing with not using electricity in my apartment and instead lighting my small studio with a single candle. As you can see in the picture, I took a birds-eye view photograph of the candle. I found it extremely interesting to see what the natural light did when reflected into the glass container. The glass itself has been molded to have a unique rim around the top. As seen, this rim creates multiple layers of different intensities. The layers is what attracted me the most to this particular example of lighting. The blue wax also experiences different layers of tone. The royal blue hue begins to fade on the outskirts of the circle. The blue hue becomes an ice like color. I also found it interesting to see how the camera lens captured the small flame. We see an almost perfect circle of whitish light, with an almost purple, pinkish, haze around it. The vision felt spectacularly interesting me, and made me feel like this could be something completely different from the top of a candle.
Thank you for reading,
Luke
Week #8 Opera
Opera
I attended a dress rehearsal for the Eurydice opera on campus. The use of color in the lighting was the most interesting part about watching the rehearsal. I liked the designers use of blended, darker tones in the places that there was no singing, high intensities on the singers, and the subtle and distant Fresnel angle washes.
Sunday, May 24, 2015
Light or movements
Look at those purple and middle round lights. Both colors are not combining each other. It must be nice touch of light location or dancers sweet movements.
Tech Observation
-Alexa
WEEK #8
After I did my shopping at Walmart I noticed that the parking lot was well lit by the parking lot lamp post not only that but I liked how it gave a different effect to the trees. It illuminated the trees and served as a down light. As a whole the parking looked lit with a green light even though the lamp posts were a bright warm color.
-Alexa
-Alexa
Monday, May 18, 2015
Sunday, May 17, 2015
A Dark Obsession
There are things in life that we can not explain and perhaps there is a reason for that. Everyone wants to be the best person possible but with every glimmer of hope that shines like a ray from the sun a shadow is casted. Shadows and silhouettes are unique because we see them and are drawn to them no matter how dark and unknown they may be. In every scary movie people choose to continue down the creepy dark path as we yell at the screen saying "stop you idiot" but I believe it's human nature to want to explore the unknown and to explore those mysteries. I find myself to be obsessed with silhouettes because they remind of people. That is, we know what we see but we can't see what is truly underneath. The sun casting its light through the clouds is a perfect representation of this, and backlight, as the palm tree is casted in a silhouette. You see a palm tree but you are left with wanting to know more. But with the right amount of light anything can be revealed.
-Daniel M. Ferreira
Friday, May 15, 2015
Opera Tech Observation
When I arrived the lighting designer and board operator were running cues. Making slight adjustments to color and intensity as needed. There was some moving lights used that were controlled and adjusted using a computer program. The program had a color wheel where you can easily scroll through colors, this made it so quick and easy to see how different colors looked on stage. After they found a light they liked they used a stand-in to see how the light looked on a body, just as we do in class.
The set was very simple, almost like a blank canvas, with a large white cyc. The color of light was easily seen on the set pieces. There were gobo's used to add texture and interest to the light colored set pieces. The lighting designer was also asked to create a special light for the conductors entrance, so the designer was needed for other misc light cues that did not directly affect the show.
Durring the overture there were two dancers on stage, this dance was lit mostly with Shins and one Leko (spot light) at the end. The lighting for this was beautiful and lit the dancers in a way that made them glow amongst a dark stage.
-Kirbie
Monday, May 11, 2015
This week I chose to capture a photo at a place I spend my entire summer at and find therapeutic, the beach. The lights illuminating throughout the sky from the sun is breathtaking, and the colors are vibrant. The amber/orange color blends in perfect with the dark blue sky, giving the image a nostalgic feeling. The horizontal orange strip of sunlight splitting the the photo from the dark sky and the light sand gives the photo a balanced contrast. Overall, the image is stunning (at least in my eyes), the colors and lights are amazing, even though the image is a tad gritty.
Week #6
Hello Everyone,
Due to downtown parking restrictions, I have to move my car every morning before 8:00am.
I was inspired to take this picture last week, before I moved my car to a free area. The sun was starting to light downtown, but at this point, many of the streets were still shaded. As you can see from the picture, daylight is evident, but it hasn't saturated this street yet. Once the daylight has saturated the street, it is more difficult to appreciate this scene. One thing that struck me, before I took the picture, was the wide variety of hues that the lighting was enhancing.There are brilliant splashes of different colors on and by the wall to the left of my car. To the right of the evergreen tree, you can see a portion of sunlight that has peaked through and saturated the wall. The difference in the sections of wall is interesting. Different specific hues can be seen on the wall, and on the same wall, we see that the direct sunlight has washed the colors in a yellowish hue. Last, the reflections on my car were a point of interest. As I came to my car, I could see the entire street dancing on my car as people rushed to get their days started. It was quite the moment to take in, and all made possible by lighting.
Thanks for reading,
Love,
Luke
Cutting Edge
So, the contrast in this photo came out so amazing that I really did have to blog about it. Having just purchased the new Platinum Gold 64GB Samsung Galaxy S6 Edge (Product Placement) this week I've been wanting to test the camera's abilities. Wow! That is all I have to say. I chose this picture, not only because of its amazing quality but because of the quality in which the coffee was prepared. The siphon filter was too artful to pass off. I tasted the most randomly excellent coffee by spontaneously visiting Demitasse café in Little Tokyo hours before tech rehearsal of Orphée et Eurydice. The orange coming from the bottom really looks spectacular inside the cafe. The shiny stainless steel/chrome/silver all around the bar gave a feeling of elegance. The lighting inside the establishment depended on the daylight coming from all the windows. The little lighting that was on was more for ambiance than function. I was so taken aback by this café that as I had already made my exit a faint breeze of relaxation came to me in my mind urging me to stay, and so I ordered something else, something new, something I had never heard of before, something cutting edge.
Sunday, May 10, 2015
The Sun.
The sun is remarkable. What I love most about the sun is how it always ceases to amaze me with its potential to create. It creates mood. It creates color. It creates atmosphere. The sun simply makes life. The sun here is a great example of back light. As it lights the trees from the back, the setting changes for me from what was once a trees lined up in a row at school, has now turned into a forest like setting. The sun creates new scenes in everyday life within minutes, all you have to do is be willing to notice.
-Daniel M. Ferreira
Friday Time
This is friday outside. I can see a sunlight up there, but dark color gel makes me only less than ten percent of the sunlight.
Eric Lee
Eric Lee
Week #6
I've been riding the train since I started high school. Everyday when I travel I've never stopped and payed attention to the architecture of the station. The other day I was getting off the train one early evening and realized that the top of the station would light up and that it looked like a bird nest. The day I took this picture, the tower on top of the station was lit up a shade of indigo. The following morning, I realized that the surrounding walls of the underground station was filled with phrases along with bird figures. I wrote them down, thinking if it related to how the architecture of the station looked like. The words themselves don't make sense, but the way I interpret it is, I'm the bird walking into the sky inside of the station and staying in the nest waiting for the train to come and when I reach my destination area the only thing between me and the phrases are the people surrounding me. Also, I thought of relating the word Destination with the color Indigo. Here are the phrases, from top to bottom:
Waking Walking
Sky Inside
Eyes Fly High to Nest
Mind Awake Area
Words Birds Between Us
-Alexa
Waking Walking
Sky Inside
Eyes Fly High to Nest
Mind Awake Area
Words Birds Between Us
-Alexa
Week 6: Overcast Sky
I really enjoyed the weather on Thursday. It made me ask another weird question: why don't shadows appear as often when the sky is overcast than when it's a sunny day? My guess is the intensity (temperature?) of the light gets lower as the sunlight is diffused by the clouds. So, going by this theory, there is some sort of correspondence between the temperature of the air on a given day and the temperature of the light. That is, on a cool, cloudy day, one gets this frosty, gray sort of light, and on a hot, Summery day, one gets that warm, Summery light instead.
Tech Observation
Tech observation was cool, I honestly wouldn't have left if I didn't have homework to do! I got to see what I guess is the real-life version of our projects in class, which in this case was Stacy (the designer) dictating commands to Alicia (the programmer), which were mostly updates to cues. I really like the use of moving lights in this production. Also, I learned that actors are ultimately at the mercy of the lighting designer in terms of blocking, not the other way around. I also got to see some of Martin's projection work, and I thought that was well-done too.
Through the weeds
I chose this this picture because the backlight reminded me of the lion king and the dark side of the Pride lands. I also thought this would make for an interesting moving gobo, can't remember there official names of them. I would light this picture with low intensity and low focus so that the bristles didn't come out too sharp and distinct. Depending on whether you used the par can or the backlight you would get very different looks on the amount of light bleeding through. The par can would give a very menacing type of dark side of of the pride lands feel while the back light would be a subtle version of the par can which would give off a little less wash. This would be cool to do with an amber or a red to get the hint of a color.
Saturday, May 9, 2015
Tech observation
My tech observation was pretty interesting. I got to see Stacy and Alicia the board op work in tandem to get cues down and re adjust them. It was interesting to see her train of thought as she tried certain lights and colors out and then decided against them due to costume changes or murkiness. There were over 200 lights for her to play with and adjust for whatever type of look she was trying to go with. The opera dealt with a lot of cool colors since the warm colors didn't seem to go with the overall concept of the play. It was interesting to see on there board how they controlled fog/haze and phasers. Alicia did a good job of listening to Stacy and Wendy the stage manager at the same time. I probably would have got confused with both of them speaking on top of each other. I was fortunate to be there for there diner break so I got to see them do tech notes. I got to see them readjust the conductor light and some others. They also spoke about the side lights and how they need to go from 26 to 36". The skims the opera uses are pretty cool as well they used those in a variety of ways. Some times they were used like gobos portraying a design over the front of the stage. Other times they portrayed pictures of dogs which was interesting though I didn't get why they were there persay. Overall it was an interesting hour and a half learned a lesson in patience cause it took a lot of time to put in each special and adjust light levels for cues. Thursday, May 7, 2015
week #6 shadows and angles
I took this photo because of the interesting shadows and angles. This was taken early morning, so the sun was still pretty low in the sky creating a sort of side light. The architecture created interesting angles of light and lit one side of the building, leaving the rest in shadow.
This can be an example of how light can interact with set pieces. Depending on where its coming from (the source) it can make or break the image. Both creating depth and interest, creating an edgy or moody setting, or hiding (not illuminating) parts of the set.
-Kirbie
This can be an example of how light can interact with set pieces. Depending on where its coming from (the source) it can make or break the image. Both creating depth and interest, creating an edgy or moody setting, or hiding (not illuminating) parts of the set.
-Kirbie
Monday, May 4, 2015
Week # 4
This week I chose an image on campus, which is of the Eagle statue. The image almost seems as if it is in motion, and the lighting compliments it. The shadows displayed on the statue gives the Eagle a feeling of darkness, and it looks as if the bird is on the hunt for its prey. Overall, the lighting in this picture varies in contrast, some are light (shown on parts of the bottom of the statue) and some dark (shown on the Eagle, the tree on the side and the shaded parts of the building).

Life texurized!
The tree outside my dorm always captivates me. It's filled with flowers that bloom wonderfully during this time of the year. Its branches extend outward reaching almost every corner of every building. On my way to class I noticed the shadow that was cast due to the suns light. It's slightly fuzzed out but it's branches create patterns that can translate to more than just a tree. It's amazing how the flowers make intricate different blotches, just like snowflakes each pattern is unique. The texture created by the sun shows a world we don't often look at but it still exists so why should it get any less attention.
Daniel M. Ferreira
Saturday, May 2, 2015
In Theatre Show
Those two orange looking lights on the top of the front made other orange light in front of them below. However, where would be the other lights those white looking lights on the top of the middle of the stage.
Friday, May 1, 2015
Quite often does a refreshing breeze give a feeling of a lax nature to those in it’s path. Kevin here, enjoying a sunny day under a shaded tree, is lit by patches of light making its way through branches and leaves from above. The grass itself is a bit patchy adding to the untamed texture made by the shadows along the ground. The compliment of the natural blue sky by a partially green plot of grass looks great however, portraying that in the black box may make the intercepting light appear cyan. I find this image to be striking in that it brings Kevin to the focal point of the frame. His stance alone brings attention to the picture but, it is his laugh that gives the viewer room for interpretation. Him being away from the group adds to the curiosity of his mood; it is this image with its endless possibilities of making a man here laugh heartily that strikes me. What is it that he is looking at? Did he overhear something coming from the group? Did he see or even possibly remember something funny?
Thursday, April 30, 2015
Week 4 (in class)
This is the first time I have been to this section of the student center and automatically my focus was on the shading on the ground. The pattern of the shade reminds me of some kind of abstract art piece. I also love how the dimmed sun light mixes with the strip of bright sun light, because it reminds of when I was a child imagining that the floor was made of lava, and there would be safe zones and danger zones. For me the dimmed light is the safe zone and the bright light is the danger zone. I like how the light extends, it's like walking on an abstract road.
Wednesday, April 29, 2015
Week 4 (In class picture)
Hello Everyone,
I took this picture at about 10:30, yesterday morning. As you may recall, the sun was beaming brightly in the sky, washing everything around in white light. I came across these vending machines that were producing their own light, florescent I assume, and I noticed that even being under a large building did not spare them from the enormousness amount of natural light that was being emitted that day. As we can see, the machine's glass is showing the reflection of the King Hall courtyard. The yellow table umbrellas can be seen. I found this to interesting, and It gave me a new perspective on lighting, especially our sun. I was amerced in the same feeling I might have if I am in an ocean. Only this is an ocean of sunlight. This picture illustrates that nothing escaped the ocean of sun this day.
Love
Luke
I took this picture at about 10:30, yesterday morning. As you may recall, the sun was beaming brightly in the sky, washing everything around in white light. I came across these vending machines that were producing their own light, florescent I assume, and I noticed that even being under a large building did not spare them from the enormousness amount of natural light that was being emitted that day. As we can see, the machine's glass is showing the reflection of the King Hall courtyard. The yellow table umbrellas can be seen. I found this to interesting, and It gave me a new perspective on lighting, especially our sun. I was amerced in the same feeling I might have if I am in an ocean. Only this is an ocean of sunlight. This picture illustrates that nothing escaped the ocean of sun this day.
Love
Luke
Week 4 Cylinders
Week 4 Cylinders
I really like the way the light hits the cylinder pillars by the Luckman. The pillars almost look like they are being hit by a backlight, angled just alittle to the left in order to cast the shadow in the front. The shadow pattern that the sun creates around the Luckman is like a pin-strip gobo. Whats interesting is that the shadow on the cylinders is twisting around.
Tuesday, April 28, 2015
one dangerous shadow
This one can't make a light. I might look fashion less when I look in my mirror because I have less light.
Week 4 DTLA
This seemed like an interesting picture to Me. It's a picture of downtown Los Angeles being backlit by the sunset behind it. I thought this would be an interesting gobo showing the building skyline. The soft pink being emitted by the sun is a pretty color as well. The feelings I get from this picture are rewarding and calming. The way the light bleeds from one color to the next is interesting as well. I think it would be complicated getting a smooth run of those two colors next to each other like that but if I had to try I would use two fresnels to reach the wide array needed to hit both areas hazily. The Secret Lives of Vending Machines
Bearing in mind what we've been learning in this class so far, I found myself standing by King Hall, staring at the vending machines wondering how everything in the machine itself is lit. Well, as it turns out, there's two fluorescent bar lights on each side of the glass, angled to face the snacks. It's one of those things you don't ever really think about until you decide (for whatever reason) to think about it. Snacks! They want attention and good lighting too, who knew?!
Mountains
I've never had a chance to go to the mountains, which is why I decided to take a picture of the ones next to our campus. That's the closest I can get. What grabbed my attention was the way they look in the morning. They have this this icy color that outlines them making them really sharp. But the time of day makes a difference as we see the in the bottom the sun is making the mountain look more faded than the top.
-Alexa
-Alexa
Court Yard Lighting
This photo is of interesting shadows casted onto the concrete from some railing outside the music building. I particularly liked this shadow because of the way it was morphed and shaped. It's amazing how everyday objects can create unique shapes just using light, shapes that can be morphed to look like something else.
This would be fun to experiment with in a theatrical setting, and I can imagine be transformed into some unique ways of story telling.
Week #4: Block 9 on the Camino Real
This is my buddy Steven, in character as Gutman during Camino Real. There's a couple of facets of the lighting in this picture that I think are really interesting: the sparkling star shape of the lantern visible at the top of the picture, and the different colors on the two halves of Steven's body. The latter is especially of interest to me because it directly parallels the effect of two of the light choices available to us in class for our projects: the two side lights. If one were to look at Steve in this lighting without knowing anything else about this picture, they might assume he's a shady, slightly ominous character, which would be a fitting description of Gutman.
Monday, April 27, 2015
Week #4

Hello Everyone,
This weekend, after a wonderful dinner in Old Town Pasadena, I was exploring the area and stumbled upon this beautifully constructed building. I basically had free reign to wander around, and was able to take this shot from one of the towers. As you can see, the bottom levels of the building are well lit by bright incandescent lighting. They create a sort of yellowish hue. What I find to be magnificently beautiful is the way the light starts to spill into the deep navy colored sky. On the top left of the building, we can see about three different shades of blue layered on each other. Also, the contrast of the light against the dark, all within this masterfully crafted building, proves to we a spectacular spectacle. Thank you for reading, everyone.
Love,
Luke
week 4 sunset and little beforehand
I took these pictures at different times on my way home from school everyday. I decided to take these pictures because at the moment the downlight really spoke to me and I liked the color coming off of the sun. ITs interesting to see the two differences from the more midday shot to the closer to sundown type of shot. The the sundown type of shot is a really pretty amber and I find myself attracted to that color and I would want to reenact that color if given a chance to create a sunset on stage. MY phone doesn't really give this picture justice but I hope it portrays the color difference and the warmth coming from the light. Its interesting to see how the downlight still keeps some of the things in the wings lightly lit mostly in shadow and the sunset lights more though if i would have caught it about an hour later i would have caught it from the mountains showing interesting backlight. Lighting the sunset I would probably use a leko just so i could get the nice smooth edges of the sun against the background.I would probably use a Leko for the other picture as well just so that i didn't hit a wide array of surfaces with my light as I came down with my light.
Feeling Blue is a Hue Too "Boo!"
My subject for this image was the side wall filled by an ocean of reels of film, possibly celluloid ones, contrasted by the white screen. I was able only to take one picture due to my puzzlement of the blue spot on the bottom of my phone. I hadn’t used a flash since I wanted to capture the natural lighting inside of Echo Park’s Film Center after an inspiring screening of Gillo Pontecorvo’s film The Battle of Algiers. The blue spot had really baffled me as I stared intently at my phone. This lady from KPFK asked me if I was okay. I showed her my phone telling her I wanted to capture the filmstock but instead got this creepy blue hue on the bottom dominating the picture. Not wanting to be rude and continue to capture “the right shot” as this lady genuinely wanted to converse, I was left with this image. I wanted to capture the different colored filmstock and just general vibe from the environment. It felt more of a record store to me, an odd interpretation seeing as how there were so many amazing vintage cameras along the opposing wall and just general movie stuff like cinematic seats. The front part of the ceiling was lit by an upward facing lamp whose bulb I can only speculate was using an edison light connector as well as the other lights behind a makeshift wall separating the back office from the screening room. The light was very warm and dim, naturally since one’s eyes must adjust after being in the dark for over an hour, not bright and cold like a doctor’s office higher along on the Kelvin Scale(Yes, I just had to:)
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